After that cooled, the mold was broken, revealing the copper-bronze object. [9] This second bronze female figure is displayed at the National Museum of Pakistan, Pakistan. K. Kris Hirst is an archaeologist with 30 years of field experience. "Ancient Dancing Girl of Mohenjo-Daro." The study of human settlement is very common to human civilizations as a form of Indus valley civilization sites. Thank you ClearIAS. Bronze casting was practiced in wide scale in almost all major sites of the civilization. Archaeologists regard the Dancing Girl as: the most captivating piece of art from an Indus site., The statue led to two important discoveries about The Indus Valley Civilization, also known as the Harappan Civilization.. The sculptures and statues made by them were new and specific to the Indus valley civilization sites. Production and Consumption of Copper-Base Metals in the Indus Civilization. But it had the most efficient civic administration and effective town planning system. The Dancing Girl of Mohenjo-Daro is what generations of besotted archaeologists have named a 10.8 centimeter (4.25 inch) tall copper-bronze statuette found in the ruins of Mohenjo Daro. Their way of depicting and portraying humans and animal sculptures and figures was highly unique. Her left hand is provocatively folded in an Indian dancing gesture, while her right arm is resting on her hip. This is very good information. She wears 24-25 bangles on her left arm, four bangles on her right, and a necklace with three big pendants. There was also a highly developed drainage system. 3.5: Indus Valley (3300 BCE - 1700 BCE) - Humanities LibreTexts Thanks for providing answer in best way. You can find out more about our use, change your default settings, and withdraw your consent at any time with effect for the future by visiting Cookies Settings, which can also be found in the footer of the site. The Indus Valley Civilization is also known as the Harappan Civilization. This understanding is crucial today since many ancient civilizations left no written language that could be deciphered. Plain pottery is more common than painted ware. You are welcome to review our Privacy Policies via the top menu. Hair is parted in the middle and a plain woven fillet is passed round the head. [16] In 2016 Pakistani barrister, Javed Iqbal Jaffery, petitioned the Lahore High Court for the return of the statue, claiming that it had been "taken from Pakistan 60 years ago on the request of the National Arts Council in Delhi but never returned". ), an introduction, Tigers, dragons, and, monsters on a Shang Dynasty ewer, Square lidded ritual wine container (fangyi), Ambition and luxury: Marquis Yi of the Zeng State, The search for immortality: The Tomb of Lady Dai, Bodhisattva, probably Avalokiteshvara (Guanyin), Cosmic Buddha Vairochana with the Realms of Existence, Cultural exchange and integration, a Khotanese carpet on the Silk Road, An introduction to tomb figurines, Tang dynasty, Tomb figures of a man and woman on horseback, A silk painting of sacred Buddhist images from Dunhuang, The paintings and manuscripts from cave 17 at Mogao (1 of 2), The paintings and manuscripts from cave 17 at Mogao (2 of 2), Hong Bian, the monk in the Library Cave (Cave 17), Mogao, Buddha preaching at Vulture Peak embroidery, Admonitions Scroll, attributed to Gu Kaizhi, Zither (qin) inscribed with the name Dragons Moan, The art of salvationMt. Her long hair rests in a knot or a bun at the nape of her neck and her face is tilted upwards with a confident demeanor. Human and animal figurines can give insight into concepts of sex, gender, sexuality and other aspects of social identity. The girl is nude, wears a number of bangles and a necklace and is shown in a natural standing position with one hand on her hip. Standard Harappan seal was 2 x 2 square inches. It is a great boon for the financially weak aspirants.Your material is really very good. Wood and clay were used to carve out sculptures at that time. In: Milledge Nelson S, editor. That insight is important for us today because many ancient societies left no decipherable written language. Cookies collect information about your preferences and your devices and are used to make the site work as you expect it to, to understand how you interact with the site, and to show advertisements that are targeted to your interests. Her right hand is on her hip and her left hand is clasped in a traditional Indian dance gesture. At times, the need for water drives people to settle in there. Arts of Indus Valley Civilization (Indian Culture Series - NCERT) Mohenjo-daro - Wikipedia features, sites, society, religion etc. At its height, the Indus Civilization spanned much of what is now Pakistan and North India. White necklaces, fillets, armlets and finger rings were commonly worn by both sexes. The massiveness of the bull and the fury of the charge are eloquently expressed. ClearIAS is one of the most trusted online learning platforms in India for UPSC preparation. One of the best-known artifacts from Indus valley. Sovereign Gold Bond Scheme Everything you need to know! these topics are simple to understand and for ias exam understanding skill is the need, Age group of indus indus valley civilization. https://smarthistory.org/dancing-girl-mohenjodaro/. It belongs to the Indus Valley Civilization and dates back to circa 2500 BCE. Even so, what appears to be an unassuming small-scale figure at first glance, no more than a few inches tall, reveals to us the advanced metallurgical processes that ancient Harappan sculptors were skilled at. Perhaps, this figure too, may have been clothed in a similar fashion. Her long hair styled as big bun rested on her shoulder. Bronze Castings: Dancing Girl and Bull. Many UPSC toppers thank ClearIAS for our role in their success. It was found in the ancient Mohenjo-Daro site in 1926. Composition and Properties. Her arms are unusually long, a common feature of artefacts from this era. We give special emphasis on smart work and personal mentorship. The Indus Valley Civilization: An ornamented past, revealed in 5,000 Mohenjodaro, A New Type of Inscribed Copper Plate from Indus Valley (Harappan) Civilisation. Metallurgy of zinc, high-tin bronze and gold in Indian antiquity: Methodological aspects. 2012. Required fields are marked *. These sites are evidence of one of the earliest planning of society and civilization. According to question what is given then use these studying concepts and write your answers effectively and different from others.it is a upsc exam not a university exam giving like simple question and answer.it checks how to approach to asking question.they check conceptual clarity and real time examples. It is good to see tht you people are genuinely helping the ias aspirant not like others who share half information and thn ask for monthly subscriptions, Sir,its really really nice but sir please make notes in Hindi sir please, Thanks for the detailed data about Indus civilization. Only a handful of Harappan figurines are carved from stone (such as the famous priest-king figure) or, like the dancing lady, of lost-wax copper bronze. Baoding, Dazu rock carvings, Qian Xuan,Young nobleman on horseback, handscroll, Wang L, Landscapes of Mount Hua (Huashan), Li (tripod)-shaped cloisonn incense burner, Miniature furniture and figurines in a Ming tomb. Approximately 4-inch high figure of a dancing girl. After baking a clay model, it was painted with black colour. The second girl (3.28) has a demure pose, or perhaps she is waiting for her turn. 1 and 2 onlyC. Characterization and comparison of the copper-base metallurgy of the Harappan sites at Farmana in Haryana and Kuntasi in Gujarat, India. Presently, it is on display in the Indus Valley Civilization gallery in the National Museum, New Delhi. "[9], To the American IVC specialist Jonathan Kenoyer, the reading of the figure as a dancer is "based on a colonial British perception of Indian dancers, but it more likely represents a woman carrying an offering" (which he also thinks the second figure is doing),[10] although most sources, such as the National Museum of India, continue to see her as a dancer. Dancing Girl (Mohenjo-daro) from the Indus Valley Civilization Approximately 4-inch high figure of a dancing girl. Hoffman BC, and Miller HM-L. 2014. Mohenjo-Daro, meaning Mound of the Dead Men, is an archaeological site in the province of Sindh, Pakistan. girls (female dancers who often performed at royal courts and in salons, especially in colonial India). Her long hair is styled in a big bun plaited in the back, resting on her shoulder. The title of the sculpture. Were There Commercial Communications between Prehistoric Harappans and African Populations? Instead, contemporary scholars have proposed alternative interpretations, including that the figure may be a warriordue to the asymmetrical ornamentation of her hands which leaves her right arm bare to possibly hold a weapon, her assertive stance and defiant facial expressions. The Indus Civilization: A Contemporary Perspective. Its site of origin, Mohenjo-daro, was an important prehistoric city from the. With reference to the dancing girl statue found in Indus Valley Civilization, consider the following statements:-1. The artists of that time had fine artistic sensibilities. [3] She wears 24 to 25 bangles on her left arm and 4 bangles on her right arm, and some object was held in her left hand, which is resting on her thigh; both arms are unusually long. The identity and interpretation of this figure continues to be debated by scholars today. Lanham, Maryland: Altamira Press. However, the figurine's hairdressing is a style worn by Indian women today and in the past, and her armful of bangles is similar to a style worn by contemporary Kutchi Rabari tribal women. Other scholars have even speculated that her face represents, , this speculation is primarily based on physiognomic comparisons relying on stereotypical characteristics associated with Dravidian populations who speak languages such as Tamil, Telugu, Kannada, and Malayalam and live mainly in southern India. Dancing Girl from Mohenjo-daro - Smarthistory These figures are usually crude standing figures. Kennedy KAR, and Possehl GL. . Indus Valley Civilization: Harappan Arts, Crafts The Dancing Girl is a bronze statuette created over 4,500 years ago and is a rare and unique masterpiece. It belongs to the Indus Valley Civilization and dates back to circa 2500 BCE. Every seal is engraved in a pictographic script which is yet to be deciphered. Ancient Asia 5(1):1-10. During Caspers ECL. It emerged during the second half of the third millennium, which is also known as the Bronze Age. Her long hair is styled in a bun resting on her shoulder. Advances in Anthropology 2(4):169-180. With big eyes and a balanced nose, and her head slightly tilted backwards. The animal is shown standing with his head turned to the right. As a student of history we all must be aware about Indus valley civilisation. These molds are heated in a furnace, causing the wax to melt out, leaving only the outer clay covering which becomes the mold into which molten bronze is poured. Found in Harappa (only major art element found in Harappa). Although the Harappans had a written language, no modern scholar has been able to decipher the Indus Script to date. Moreover, one of the few extant sculptures from the Indus civilization is a ''dancing girl'' whose features are clearly Negroid and who could well have been modeled on someone who came from. Eventually an agreement was reached, whereby the finds, totalling some 12,000 objects (most sherds of pottery), were split equally between the countries; in some cases this was taken very literally, with some necklaces and girdles having their beads separated into two piles. To log in and use all the features of Khan Academy, please enable JavaScript in your browser. 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