Didn't a CD label make a CD with airchecks from "Big Daddy"'s Radio show in the late '80's/early '90's? The band released a 45-rpm record "You Ain't Goin' Nowhere" which attracted the attention of Clyde Clifford and was placed in regular rotation on Beaker Street. [13] Other long-running, large-market examples included WMMR in Philadelphia[17] (credited with helping to break Bruce Springsteen),[18] WBCN in Boston, WHFS in Washington, D.C., WXRT in Chicago, WMMS in Cleveland, WEBN in Cincinnati, CJOM, WWWW and WABX in Detroit/Windsor, WZMF in Milwaukee, KQRS-FM in Minneapolis, WOWI in Norfolk, WORJ-FM in Orlando, KSHE in St. Louis, KDKB in Phoenix, KMET in Los Angeles, KSAN in San Francisco, KZAP and KSFM (102.5) in Sacramento, KZEW in Dallas, and KTIM in San Rafael. Radio - FM, Pirate, Local, and Public-Service Stations The record collection got to a point where it was all the way down one side of a lengthy hallway and then some, Bacin says. ), but he had unusual patter and strange "sounds" going on in the background OF COURSE!!! By the mid-1970s, as Gillis remembers it, typesetting and paste-up for the radio guide took place in the attic, where the houses gabled roof provided plenty of space. So cool and radical! I really dig that stuff. [1] Beaker Street attracted a legion of fans across the Midwest with its pioneering format, which featured long album cuts from rock artists who otherwise would not get commercial radio airplay outside of large cities with freeform or progressive rock stations. Rented in 1970, the Rogers Park house served as the command center for Triads growing media enterprise as well as living quarters for Bacin and Aldona, Dennis Gray, and Smaizys. As much as Smaizys cares about music, his true love was (and still is) photography. Singer-songwriter James JY Young, the young bands lead guitarist, was already a fan of Triad. One such performance was a melancholy rendition of a Tom Paxton song, Cindy's Cryin, performed by the Little Rock band Deepwater Reunion with vocalist Barbara Raney. Bacin calls it an idea borne out of the boundless certainty of youthat the time, all three of them were between 19 and 21. The airplay led to a bounty of bookings. Triad was very important in Chicago, and it influenced a lot of people, says Ray McKenzie of Forest. Triad played music in a way that made sense, he says. Its bottomlessly eclectic palette included European progressive-rock bands, electronic music, and the Afrofuturistic stylings of Sun Ra alongside jazz-fusion bassist Stanley Clarke, Ken Nordines Word Jazz, and meditations with Indian spiritual leader Sri Chinmoy. Remembering Triad Radio, where the usual was unusual, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window). For eight important years in the evolution of popular music, Triad was the night school where intrepid listeners gathered faithfully at the vanguard of sonic innovation. Success! WMMS - FM rock station that started in 1971 after a brief period in 1969. [1] The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head'" and discussing social issues in between records. Hren und Station Zeitplan, Songlist, Standort-und Kontaktinformationen online The material that Smaizys still has includes lots of interviews, some with notables such as Bowie, Kraftwerk, Pink Floyd, and Heart and others with lesser-known artists, among them genre-jumping jazz flutist Hubert Laws, Irish folk musician Paul Roche, and Steve Miller Band keyboardist Ben Sidran. [citation needed] Beaker Street began on Little Rock, Arkansas 50,000 watt AM radio station KAAY late in 1966 and ran through 1972. 1,431. Chicagos pioneering experiment in commercial free-form radio left the airwaves in 1977, but longtime program director Saul Smaizys is moving its archives online. Detroit Radio in the 60's & 70's - WABX, CJOM, W4, CKLW - Facebook Despite (or perhaps because of) their high-quality programming, Europes monopolized public-service radio systems provided little popular music and no opportunity for broadcast advertisers. Theyre snippets of live radio, often an entire segment or show, and Smaizyss tapes include not just music but also DJ patter, station IDs, interstitials, and sometimes commercials. Stations programmed music and advertising and often strongly political viewpoints (from both the right and the left). Beaker Street with Clyde Clifford was the first underground music program broadcast regularly on a commercial AM radio station in the central US. Late 1960s San Francisco Underground Radio Station Kinolibrary 180K subscribers 9.2K views 6 years ago From the Kinolibrary Archive Film collections. That broadened its range to include parts of southern Wisconsin and northwest Indiana. Many times what has started in L.A. has been followed by the nation. The GoFundMe that Smaizys set up for the Triad archiving project in 2017 is still active, and he eventually hopes to raise $5,000 to pay for server space to host the files, cover his time commitment, and acquire the other resources needed to digitize the brittle, four-decade-old tapes and piles of documents. Some deep tracks from a year of great releases, plus some 1968 releases that were still on the ch Righteous Brothers to Beatles, Petula Clark to Temptations, this is 1965. This website is using a security service to protect itself from online attacks. the brand new FM dial: DJs playing deep album cuts, saying . Advertisers began spreading their money around.. The recordings already available for free download include the Bowie and Kraftwerk interviews as well as chats with Pink Floyd (backstage at the International Amphitheatre in 1973), Gentle Giant (at the Triad House, on a tour promoting the 1974 album The Power and the Glory), Yoko Ono, Moondog (on Wabash Avenue outside Rose Records in 1975), John Cale, and Anthony Braxton (whose two-part interview from 1970 includes three solo alto sax improvisations). Johnny Walker, for example, became popular on Radio Caroline and later shifted to BBCs Radio 1; in the mid-1970s, he even worked on American radio. "Stuck in the Psychedelic Era," a syndicated program heard on some non-commercial stations, recreates the format, but rarely includes any recordings made after 1970. But not fans of Chicagos Triad Radio: theyd known about Kraftwerk for years, because the nightly radio show had been programming tracks from the groups first three albums since 1971. For fans of Beaker Street, many album cuts became favorites over the years, including songs which were generally not available on either 45-rpm records or LP albums. The shows name, Triad, is a musical term for a chord that stacks three notes in intervals of thirds, but it also referred to the shows founding trio. The Summer of Love was a great year for pop, rock, and soul hit songs! affiliations include, but are not limited to, the eBay Partner Network, and When Smaizys played the Forest song Monday Morning Rain, McKenzie says, it was the bands big break. During the snowy trek to the midwest, she listened over and over to Iron Butterflys In-a-Gadda-da-Vida in thecar. Underground FM radio memories | Steve Hoffman Music Forums FM Radio In the Bay Area in the 1960's Did It Exist? The original background music, composed by Henry Mancini, came from the dream sequence in the movie Charade. Next thing he knew, he was piling radio guides into his AMC Gremlin at Chicago printer Newsweb. Original records or tapes of this performance are rare, but a similar version of Cindy's Cryin has been performed by talented fans of the music, fans who first heard the song on Beaker Street. New Sounds and New Releases introduced the latest cuts from albums by national and international artists in a variety of genres. National Public Radio (NPR) appeared in 1970 as the first American national network linking noncommercial stations. It was unlike anything else on Chicago radio at the time, and it drew scads of listeners, mostly teens and young adults. Few people were willing to pay so much money for brand new FM radios and as a direct result, so few people were listening to it. Smaizys estimates that he has more than 100 seven-inch tape reels and cassettes still to transfer. Fuzzy Memories: The Museum of Classic Chicago Television, Rodney On The Roq (Official Facebook Page), Texas Museum of Broadcasting & Communications. Today young people from those years still remember the DJ announcing "Beaker Street an underground music service from KAAY, Little Rock, Arkansas"[4]. I always liked jazz and the blues, Smaizys says. It had to have interesting rhythms or an atmosphere. The biggest hits in pop, rock, soul, and country for the year of Monterey Pop, "Sgt. Triad Radio air checks, interviews, station IDs, promos, and advertisements, as well as scans of monthly radio guides and other ephemera, may be freely downloaded here. You can email the site owner to let them know you were blocked. this can result in this site earning a commission. Enjoy the best music of the '60s for free. If those surveys were how you learned about what was happening in popular music, then the Triad radio guidewhich advertised itself as The Midwests Largest Free Magazinewould expand your mind as hugely and irrevocably as the show it supported. This change coincided with the greater emphasis on albums as opposed to singles in the rock market. The group, formed at Elk Grove High School, was inspired by what Triad airedin particular the Mahavishnu Orchestra, Chick Corea & Return to Forever, and Weather Report. The consulting team of Bill Drake and Gene Chenault was the key behind KHJ's success beginning in the mid-sixties. The last song of the new Beaker Street was, appropriately, the last song from KAAY, "The Circle Game" by Joni Mitchell. Also of Lithuanian heritage, Smaizys (pronounced smy-ZHEEs) was born in Wrzburg, Germany, in 1947, the same year as Kraftwerk cofounder Florian Schneider (who passed away in April). The first approved commercial radio competition for the BBC appeared in 1973 (two decades after the British introduced competitive television). Later issues were more polished and included feature articles on music celebrities such as Paul McCartneythose kinds of stories, Gillis notes, expanded readership. This page is not available in other languages. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. A listener from Niles named Ron Friedman, whod go on to work as Triads comptroller, remembers the show shaping how he understood music. The archive also contains many air checks, which allow a present-day audience to hear exactly what Triad broadcast 45 or even 50 years ago. The one-sheet quickly expanded to digest size, and by the end of 1971 it had already reached 48 pages. I liked folk, rock, and jazz, so we had a lot of that, she says. We had so much to choose from. What Bacin couldnt provide, Smaizys bought from the import bin at the Loop location of Rose Records. on July 18, 2021. Pete, that was an excellent read. Best of Chicago 2022About the Chicago ReaderReader Staff Reader CareersFreelance InformationContact UsBecome a memberDonate, AdvertiseSubmit/promote your eventFind the PaperSubscribeShop the Reader StoreContests/Giveaways/Promotions. Saul would play Emerson Lake & Palmers Pictures at an Exhibition, and then play the original version, he says. Detroit - late 1960's early 1970's - Two FM Radio station simulcasted [3] During the late 1960s, as long-playing records began to supplant the single in popularity with rock audiences, progressive rock stations placed more emphasis on album tracks than did their AM counterparts. They mixed in the blues and even Top 40 from time to time. Whether it was Jimi Hendrix, John Cage, or Mozart, there was a place for it on Triad., In 1970 or possibly early 1971, Smaizys had the idea to publish a monthly radio guide with highlights from upcoming Triad shows. Representing everything that is coming from, passing through or influencing the creative scene in Berlin the station features shows from Palms Trax, Luca Lozano, Finn Johannsen and many more. US Central time on the Arkansas Rocks network of radio stations and internet streams. Then I did two days of announcing and he did three days. [1] During that time the show was also streamed live via the internet, from the Beaker street homepage. Every weeknight from 1969 till 1977, first on WEAW and then on WXFM, Triad introduced Chicagoans to the music of soon-to-be stars: David Bowie, Genesis, the Scorpions, Donna Summer, and many others who would define popular music in the 1970s and 1980s. We got in trouble one time by playing a song by a Black Panther member. The commissions mid-1960s decisions to limit program simulcasting by co-owned AM and FM stations also greatly helped FMs expansion. ), Forum Policies, Rules, and Terms of Service. Radio France began its own local radio stations in the late 1970s. For a while, he would do the announcing and I would cue the records, Smaizys says. Like a free, Chicago-based version of Rolling Stone or Creem, the guide in its fullest flower featured not just Triads daily radio schedule but also a cultural arts calendar, a wide range of reviews (albums, films, concerts, books, and theater), cartoons, editorials, horoscopes, discussions about meditation, an arts-related crossword puzzle, and even recipes (one explained how to make nicotine-free herbal tobacco). Affiliate programs and Triad opened the door for so many of the acts that were to become the mainstays of the next decade, says James JY Young. Resisting American commercial counterpressure in the 1960s, Canada restricted imported radio programs (chiefly from the United States) in what turned out to be a hugely successful attempt to promote Canadian music and musicians. Have broad musical tastes? While Smaizys handled the airwaves, Bacin took care of business, selling ads and securing free product from record labels as well as interviews with artists. Bacin and Smaizys had met years earlier at a Lithuanian youth center on the south side, and theyd bonded over music, spending weekends listening to records at Smaizyss apartment near Clark and Surf. When brokering two shows got too expensive for the growing but still financially vulnerable enterprise, the Triad team dropped the WEAW slot. He wanted Smaizys to pick out background music to play behind Triads on-air host while he announced the songs. Smaizys wants this material to be available to the public for free, just as Triads broadcasts and radio guides were always freehis approach is an extension of Triads philosophy of sharing the best and most distinctive voices with everyone willing to listen. One example of the impact of Beaker Street can be seen in the evolution and success of the band Headstone, formed in 1969 by five students at the University of Northern Iowa. Triad was no longer the only game in town, Gillis says. You ended up doing all sorts of things, he says. Broadcasting from the transmitter site allowed a single employee, Clifford, to serve in the dual capacity of overnight broadcast engineer and as announcer. Performance & security by Cloudflare. I started digitizing old interviews and air checks, and copies of the radio guide, Smaizys says, putting them on a server so people could check them out for free.. Hessischer Rundfunk - Wikipedia Discussion in 'Music Corner' started by crimsoncing, Apr 9, 2007. FM Underground Radio: The 60s Edition - Spotify When you click on links to various merchants on this site and make a purchase, Just as Triads programming was the antithesis of pop radio, Smaizyss Zen-like calm and baritone voice were the antithesis of the rapid-fire patter of the eras personality disc jockeys. Library of Chicago Radio of the 60s and 70s - Miksanek For those who were expecting a major article on the groundbreaking "underground" KPPC/fm of the late-1960s, you may be disappointed, but that station does play a part in this story. We were saying, This is an adventure and youre going on it. I remember in 1970 we just moved in to Southgate I was only 14 at the time and the hippie neighbor and his hot wife always had the windows open and had WKNR-FM blasting the tunes from C.C.R., Zeppelin, Mountain, Spirit, Moby Grape and of course the late great Uncle Russ Gibb, even though I didn't have an FM radio my hippie neighbors turned me on to WKNR-FM 100 "The Underground Station". I remember hearing Howlin Wolf live on the air.. Triad on-air host and program director Saul Smaizys had even played Autobahn in 1974not the 3:27 single edit but the nearly 23-minute album version, from a test pressing of the Autobahn LP delivered by a record-company representative. George Kase, now a director and owner with Chicago Film Works after spending years in advertising, produced some Triad radio spots (mostly station IDs and other promotional interstitials) and helped out with art direction. When FM broadcasting licenses were first issued by the FCC, broadcasters were slow to take advantage of the new airwaves available to them because their advertising revenues were generated primarily from existing AM broadcasting stations and because there were few FM radio receivers owned by the general public. Pioneering progressive rock radio disc jockey and program directors included Scott Muni in New York,[23][24] Lee Arnold in Orlando, and Tom Donahue in San Francisco. Sadly, they're nowhere near what they used to be. 60s Radio Stations - Internet Radio But its initial spark of freewheeling counterculture optimismwhat Bacin had called the boundless certainty of youthhad faded. Rather than the receiver licenses common in Europe, NPR was supported in large part by corporate and individual donations (or memberships), plus some federal and state tax revenues. Which stations did you listen to that exemplified the freeform, progressive rock radio format? ), "FM Commercialization in the United States", Varla Ventura, "Alison Steele: Song of the Nightbird", entry in. Flight 106 was an hour-long survey of contemporary rock, jazz, and blues. In the late 1970s, music sung in English was restricted by the Communist Government. London, England more info. We would flip it the following week. When Bacin called him about Triad in early 1970, he was working a film-processing job at Astra Photo, which had become Chicagos first black-and-white custom lab when it opened in 1955. . The development of networks and production centres. By the late 1970s the 300 NPR member (affiliate) stationswhich would more than double in number in the next two decadeswere carrying the highly popular All Things Considered afternoon public-affairs program, among many others, and had developed a small but loyal audience. Freeform could play any genre of music; progressive rock generally limited itself to (various kinds of) rock. It was neither the first nor the last time that Triad listeners were privy to previews of pop musics future. He also plans to continue digitizing promotional bios and photos, correspondence with artists, monthly radio guides, and other Triad ephemera. By then the show was already having an impact bigger than its regional footprint would suggest. Simple theme. Mixing comedy with musictrue audio-media free-form. Sometimes that material overlaps with the recordings Smaizys posted as podcasts, but its often more complete.

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